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Naval art prints of American aircraft
carriers by naval artists Anthony Saunders, Randall Wilson and Ivan
Berryman of American aircraft carriers during World War II, the Vietnam
war and the Persian Gulf including USS Enterprise, USS Dwight D
Eisenhower, USS Hornet, USS Wasp, USS America. Naval art prints published
by Cranston Fine Arts. |
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USS Kearsarge by Randall Wilson.
USS Kearsarge CV33, USS Princeton and USS Rochester CA124 in Korea 1952 with bearcats over the top.
Signed limited edition of 1150 prints. Image size 24 inches x 15 inches (61cm x 38cm). Price £95.00
Limited edition of 50 artist proofs. Image size 24 inches x 15 inches (61cm x 38cm). Price £135.00
Limited edition of 50 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £590.00
Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £460.00
Original painting by Randall Wilson. Image size 36 inches x 24 inches (91cm x 61cm). Price £2800.00
Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00
ITEM CODE DHM1328
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USS John C Stennis by Randall Wilson.
Signed edition. Image size 25 inches x 15 inches (64cm x 38cm). Price £58.00
ITEM CODE DHM1124
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USS Forrestal by Ivan Berryman.
USS Forrestal in preparation to launch an F14 Tomcat while in the Mediterranean , 1991, on her 21st and final operational deployment.
Signed limited edition of 1150 prints.Special Promotion : This print is 30% off for a limited time only! Image size 25 inches x 15 inches (64cm x 31cm). Price £73.92
Limited edition of 50 artist proofs. Image size 25 inches x 15 inches (64cm x 38cm). Price £135.00
Limited edition of 50 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £590.00
Limited edition of 50 giclee canva prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £460.00
Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00
ITEM CODE DHM1019
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Working the Night Shift by Stan Stokes.
Cdr. Guy P. (Lucky Pierre) Bordelon was the only naval aviator to attain ace status during the war in Korea. Piloting Annie Mo, his F4U-5N night fighter version of the Corsair, Bordelon recorded five aerial victories. In so doing Bordelon became the last Corsair ace, and the last pilot to become an American ace while flying a propeller driven aircraft. Navy and Marine aviators were primarily focused on ground support and ground attack missions during the war, leaving the job of mig killing to the USAF. During three years of combat in Korea, naval aviators flew more than 250,000 combat sorties, delivering more than 326 million pounds of bombs to their targets. Naval aviation is generally credited with destroying 2,600 enemy vessels, 2,000 bridges, 250 tanks, and 74 aircraft destroyed on the ground. These missions were not without a price as more than 500 aircraft were lost to ground fire during the war. The U.S. Navy utilized a wide array of aircraft in Korea, as it transitioned from prop to jet power. In addition to the Corsair other prop aircraft included the Douglas AD-2, AD-3 and AD-4 Skyraiders, the twin-engine Grumman F7F Tigercat, the TBM and TBF Avenger, the Convair PB4Y Privateer, and the PBM Mariner. In the jet aircraft department the Navys primary vehicle was the F9F Panther. F2H Banshees and Douglas F3D Skynights also saw service. Night attacks by North Korean forces on ground positions held by UN forces were referred to as Bed Check Charlies by the US pilots. In July of 1953 one of these Bed Check Charlie missions hit a fuel dump at Inchon, which resulted in the loss of five million gallons of fuel. The attack was made by slow flying Yak 18s which were difficult targets for the much faster jets. The Navy dispatched a pair of night fighting Corsairs from the USS Princeton under the leadership of Guy Bordelon to an airfield just south of Seoul. In a three week period Bordelon flew three night interdiction missions and bagged five Bed Check Charlies. Bordelons Corsair, Annie Mo was left behind when his unit returned to the Princeton. Unfortunately, the aircraft was destroyed, and therefore did not survive the war. As depicted by Stan Stokes, in the artists highly-detailed painting entitled Working the Night Shift, Bordelons Annie Mo returns to the Princeton at daybreak after a late night mission in June of 1953. In the background can be seen a Sikorsky HO3S-1 which provided plane guard duties for returning naval aviators in Korea.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00
Signed limited edition of 225 prints. Size 16 inches x 11.5 inches (41cm x 30cm). Price £124.00 Signed by USN Cdr Guy Bordelon
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0056
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Flight of the Phantom by Stan Stokes.
The McDonnel Douglas F-4 Phantom II was flown by both the USN and USAF in Vietnam. The aircraft was utilized in many roles during the War. The only two aces in Vietnam both flew the F-4. Randall Duke Cunningham did the honors for the Navy, while Steve Ritchie attained five victories flying the Phantom with the USAF.
Limited edition of 950 prints. Print size 40 inches x 26 inches (102cm x 66cm). Price £94.00
ITEM CODE STK0051
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Flight for Freedom by Stan Stokes.
USN F/A-18 Hornet.
Limited edition of 950 prints. Print size 40 inches x 26 inches (102cm x 66cm). Price £74.00
ITEM CODE STK0146
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Home at Dusk by Stan Stokes.
A USN Skyraider returns to its floating home during the Vietnam War.
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0061
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Hook Down and Homeward Bound by Stan Stokes.
The Chance-Vought F4U Corsair was arguably the finest naval aviation fighter of its era. Work on this design dates to 1938 and was headed-up by Voughts Chief Engineer, Rex Biesel. The initial prototype was powered by an 1800-HP Pratt & Whitney double Wasp radial engine. This was the third Vought aircraft to carry the Corsair name. The graceful and highly recognizable gull-wing design of the F4U permitted the aircraft to utilize a 13-foot, three-blade, Hamilton Standard propeller, while not having to lengthen the landing gear. Because of the rigors of carrier landings, this was a very important design consideration. Folding wings were also required for carrier operations. The F4U was thirty feet long, had a wingspan of 41 feet and an empty weight of approximately 7,500 pounds. Another interesting feature was the way the F4Us gear rotated 90 degrees, so it would lay flush within the wing when in the up position. In 1939 the Navy approved the design, and production commenced. The Corsair utilized a new spot welding process on its all aluminum fuselage, giving the aircraft very low drag. To reduce weight, fabric-covered outer wing sections and control surfaces were fitted. In May of 1940 the F4U made its maiden flight. Although a number of small bugs were discovered during early flight tests, the Corsair had exceptional performance characteristics. In October of 1940 the prototype F4U was clocked at 405-MPH in a speed test. The initial production Corsairs received an upgraded 2,000-HP radial giving the bird a top speed of about 425-MPH. The production models also differed from the prototype in having six, wing-mounted, 0.5 caliber machine guns. Another change was a shift of the cockpit about three feet further back in the fuselage. This latter change unfortunately made naval aviators wary of carrier landings with the F4U, due to its limited forward visibility during landings. Other concerns were expressed regarding a severe port wing drop at landing speeds and a tendency of the aircraft to bounce off a carrier deck. As a result, the F4U was initially limited to land-based USMC squadrons. Vought addressed several of these problems, and the Royal Navy deserves credit for perfecting an appropriate landing strategy for the F4U. They found that if the carrier pilot landed the F4U while making a sweeping left turn with the port wing down, that sufficient visibility was available to make a safe landing. With a kill ratio of 11-to-1 in WW II combat, the F4U proved superior in the air to almost every opposing aircraft it encountered. More than 12,000 F4Us were built and fortunately a few dozen remain in flyable condition to this date.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0066
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A Heritage of Excellence by Stan Stokes.
CV-12 is the eighth USN warship to bear the name Hornet. She participated in numerous combat operations for the last 16months of WWII. While operating in the Far East in support of operations in Vietnam, the Hornet participated in several Apollo recovery missions including that of Apollo 11 in 1969.
Limited edition of 300 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0065
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Practice Makes Perfect by Stan Stokes.
The first successful carrier landing and take off took place on January 18, 1911 in San Francisco Bay. It was performed using a Curtiss biplane, which was flown by Eugene Ely, a demonstration pilot who worked for Curtiss Aircraft. A flying platform was built on the stern of the USS Pennsylvania, and a primitive arresting gear was provided by a series of ropes with sandbags attached to each end. Ely took off from Selfridge Field and made the first trap on the Pennsylvania. Following a pleasant lunch he took off from the deck and returned to Selfridge Field. This event was a watershed in the history of naval aviation. Ely would be followed over the next 9 decades by tens of thousands of naval aviators who would experience both the fear and ecstasy of a carrier landing at sea. By the time America was involved in WW II, carrier-based aviation had matured. Victory in WW II, especially in the Pacific, was influenced more by carrier-based aviation then any other factor. By the end of WW II America had a massive fleet of more than 100 aircraft carriers including the fast Essex Class big carriers and scores of light and escort carriers. During the War many of the pilots who earned their Navy wings did their carrier qualifications on the Great Lakes. Two paddle wheel steamboats were converted by the Navy to serve as training carriers. They were the USS Sable and the USS Wolverine. These ships had small decks which were fairly close to the water. A significant number of aircraft were lost during these practice sessions and as in any military training operation there were casualties. The aircraft shown being waved off in Stan Stokes painting appropriately entitled Practice Makes Perfect is an SNJ. This aircraft was one of the primary trainers of WW II, and was utilized by both the Army Air Corps (AT-6) and the Navy (SNJ), as well as many other countries. Designated the AT-6 by the USAAC this capable aircraft was also known as the Harvard and the Texan. The Australians knew the aircraft as the Whirraway. More than 15,000 of these trainers were produced, and this capable low-wing monoplane remained in service for many years following the War. North American, better known for their production of the P-51 Mustang, evolved the AT-6 from an earlier design known as the BT-9. First production models reached service in 1940. Many pilots received aerial gunnery training in the AT-6. A fair number of these aircraft are still in flying condition and can be seen at many air shows throughout the world. Due a general appearance similar to Japanese fighters and dive bombers of WW II, a few of these aircraft have been modified to look like the latter aircraft.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00
ITEM CODE STK0073
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Gull Winged Warrior by Stan Stokes.
The F4U Corsair once again in the subject of Stans talents. This time during the Korean War. This Gull-Winged Warrior in on final to the Philippine Sea.
Limited edition of 300 giclee paper prints. Size 20 inches x 15 inches (51cm x 38cm). Price £109.00
Limited edition of 300 giclee canvas prints. Size 40 inches x 30 inches (102cm x 76cm). Price £624.00
Limited edition of 300 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 300 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0069
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Fast Cats by Stan Stokes.
The F8F Bearcat and the F7F Tigercat were the final family members in Grummans fabulous series of prop driven USN fighter aircraft. The F7F Tigercat evolved from the work of a three-man design team at Grumman, which included Bob Hall, Dick Hutton, and Gordon Israel. The Navy gave an OK to the development of a prototype in mid-1941, however it would not be until April 1944 that the first production Tigercat was delivered. The Navy planned to use the first two hundred F7Fs as night fighters, but due to unsatisfactory carrier suitability trials; the decision was made to scale back the order and equip only shore-based Marine squadrons with this aircraft. Performance tests of the first production F7Fs were impressive. The F7F was almost 80-MPH faster than an F4U Corsair in level flight at sea level. As WW II wound down, the USN changed its plans for the F7F. Newer variants were developed with the most common being the F7F-3N. The 3N was the first F7F to pass carrier qualification on the USS Shangri La in February of 1946. The final variant was the F7F-4N that included a taller rudder, a stronger wing and fuselage, and improved landing gear and tailhook. During the Korean War these aircraft were utilized in the night fighter role. The F8F was the successor to the successful F6F Hellcat fighter which was the US Navys primary fighter during most of WW II. Grummans test pilot, Bob Hall recommended to Grummans President that the successor to the F6F be small and lightweight and faster than anything flying at that time. In competition with both Curtis and Boeing, the Grumman design utilized a 2,100-HP Pratt and Whitney radial engine driving an enormous propeller more than twelve feet in diameter. The prop was so large that the Bearcat needed very tall landing gear. During its early testing the Bearcat was capable of speeds in excess of 440-MPH. The F8F was ordered into production in mid-1944, and the Navy wanted all the Bearcats it could get before November of 1945, which was the presumed date for an invasion of Japan. One interesting design feature of the initial production Bearcats was a break-away section at each wing tip, which was designed to break-off if overstressed, in order to prevent a catastrophic failure of the complete wing. Also unique was the utilization of a bubble canopy, the first on a Navy aircraft. On February 17, 1945 LCDR Robert Elder flew the F8F in its first carrier suitability trials on the USS Charger. Despite terrible weather conditions, Elder made fifteen successful arrested landings. The F8F passed these trials with flying colors. Too late to see action in WW II, the F8F would also see service in Korea, in both the reconnaissance and night fighting roles. In Stan Stokes painting an F8F accompanies an F7F-4N during the carrier qualification of the F7F-4N on the USS Franklin Roosevelt (CV-42) in 1946.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00
Signed limited edition of 225 prints. Size 16 inches x 11.5 inches (41cm x 30cm). Price £94.00 Signed by USN Cpt Bob Elder.
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0080
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Corsair of the Intrepid by Stan Stokes.
An F4U Corsair approaches the USS Intrepid during WWII in Stans dramatic depiction.
Limited edition of 150 prints. Size 39 inches x 27 inches (100cm x 69cm). Price £109.00
ITEM CODE STK0078
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Off to the Turkey Shoot by Stan Stokes.
At the time of the attack of Pearl Harbor the Japanese had superior aircraft and plenty of experienced pilots fresh from combat in China. By 1944 the roles were reversed. Anxious to commence B-29 bombing missions against the Japanese homeland Rear Admiral Marc Mitschers Task Force 58 was given the assignment of supporting the recapture of the Marianas. This proved to be the last major carrier battle of World War II. On June 11, 1944 large formations of Hellcats were dispatched to lure Japanese land-based fighters into combat. Enough Japanese fighters were destroyed to allow the Fifth Fleet to land 140,000 troops on Saipan and Guam on June 15th. Also on June 15th the Japanese main fleet joined up with its mobile fleet about 300-400 miles from Task Force 58. Vice Admiral Ozawa detached a force to use as bait to lure the Americans within range of the main fleet. His bait not taken, on June 19th Ozawa launched three air strikes with about 250 aircraft. The relatively inexperienced Japanese pilots now flying technically inferior aircraft were decimated by the Grumman Hellcats of Task Force 58. By days end Ozawa had lost 218 aircraft, and while unprotected his fleet had been attacked by American submarines resulting in the sinking of two of his carriers. Late in the afternoon of June 20th American Hellcats, Helldivers, and Avengers were launched at Ozawas fleet, resulting in the loss of one more carrier and severe damage to another two. As his airwings returned after dark Admiral Mitscher ordered his fleet to light-up, which enabled many of the American aircraft to return safely. About a third of the planes were forced to ditch with the loss of thirteen crewman. The Grumman F6F-5 Hellcat pictured, became the Navys primary carrier borne fighter plane during World War II. Over 12,000 Hellcats were produced, and the Hellcat was credited with 4,947 of the 6,477 kills of enemy planes downed by carrier pilots during the War. The Hellcat had a top speed of 375 MPH, a range of 1,089 miles and was armed with six machine guns. The aircraft was powered by an 18-cylinder Pratt and Whitney, air-cooled, radial engine which generated 2,000 horsepower. As depicted by Stokes is the aircraft of Squadron Commander David McCampbell of the USS Essex. McCampbell is the highest scoring US Naval aviator of all time.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00
Signed limited edition of 225 prints. Size 16 inches x 11.5 inches (41cm x 30cm). Price £229.00 Signed by USN Ace Capt David McCampbell.
ITEM CODE STK0076
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